Typography in Wood: Wood Typography from the 19th Century
Dominique Carre
Hardcover | 22.8 x 2.3 x 28.5 cm | 320 pp
Gingko Press | 2015 | 9781584232667
This book is a beautiful republication of the 1860s wood type catalogue Specimen des caractères en bois de la maison Bonnet. It demonstrates that letters, like buildings, incarnate the spirit of an age, while preserving a timeless quality that constitutes a lasting source of inspiration.
The first wooden letters for typographic reproduction on posters were craft-produced in the 18th century. Their use spread with the expansion of commercial advertising in the 1820s; production was mechanised and new types with increased visibility were created. In addition to dated products, series of surprisingly “modern” types were developed that could be com-pared with those generated by the “new” digital typography.
Dominique Carre
Hardcover | 22.8 x 2.3 x 28.5 cm | 320 pp
Gingko Press | 2015 | 9781584232667
This book is a beautiful republication of the 1860s wood type catalogue Specimen des caractères en bois de la maison Bonnet. It demonstrates that letters, like buildings, incarnate the spirit of an age, while preserving a timeless quality that constitutes a lasting source of inspiration.
The first wooden letters for typographic reproduction on posters were craft-produced in the 18th century. Their use spread with the expansion of commercial advertising in the 1820s; production was mechanised and new types with increased visibility were created. In addition to dated products, series of surprisingly “modern” types were developed that could be com-pared with those generated by the “new” digital typography.
Original: $29.53
-65%$29.53
$10.34Description
Dominique Carre
Hardcover | 22.8 x 2.3 x 28.5 cm | 320 pp
Gingko Press | 2015 | 9781584232667
This book is a beautiful republication of the 1860s wood type catalogue Specimen des caractères en bois de la maison Bonnet. It demonstrates that letters, like buildings, incarnate the spirit of an age, while preserving a timeless quality that constitutes a lasting source of inspiration.
The first wooden letters for typographic reproduction on posters were craft-produced in the 18th century. Their use spread with the expansion of commercial advertising in the 1820s; production was mechanised and new types with increased visibility were created. In addition to dated products, series of surprisingly “modern” types were developed that could be com-pared with those generated by the “new” digital typography.
